Luigi Pirandello in the Eyes of the Audience and the Critics of Vojvodina Between the Two World Wars

Authors

  • Marijana Savatović Faculty “Dr Lazar Vrkatić”, Novi Sad, Serbia

DOI:

https://doi.org/10.7251/fil1410240s

Abstract

From the foundation of the Serbian National Theater in 1861 to the final applose in 1941, Italian writers were present on the Vojvodinian scene. Their encounters with the audience were at times very successful, and at time less successful, but they left a significant mark on the theatrical life of Vojvodina. Among them were the great writers like Goldoni and Pirandello as well as those less renowned in Italy. The purpose of this paper is to reveal the impressions on the spectators and the theatre critics after the encounter with the pirandelle theatre, but also to try to shed light on reasons why this writer could not remain on the scene.

Downloads

Published

2014-12-30

Issue

No. 10 (2014)

Section

Cultural Studies

License

Authors who publish with this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a CC-BY-NC license that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.